Review: The Many Lives of Miss K: Toto Koopman - Model, Muse, Spy
Title: The Many Lives of Miss K: Toto Koopman -
Model, Muse, Spy
Author: Jean-Noel Liaut, Denise Raab Jacobs
(Translator)
Publisher: Rizzoli Books
Pub Date: 9/3/2013
Pages: 244
How Acquired: ARC through Edelweiss
From the back cover: A life of glamour and tragedy, set against
the watershed cultural and political movements of twentieth-century Europe.
"Toto" Koopman (1908–1991) is a new addition to the set of
iconoclastic women whose biographies intrigue and inspire modern-day readers. Like
her contemporaries Lee Miller or Vita Sackville-West, Toto lived with an
independent spirit more typical of the men of her generation, moving in the
worlds of fashion, society, art, and politics with an insouciant ease that
would stir both admiration and envy even today. Sphinxlike and tantalizing,
Toto conducted her life as a game, driven by audacity and style. Jean-Noël
Liaut chases his enigmatic subject through the many roles and lives she
inhabited, both happy and tragic. Though her beauty, charisma, and taste for
the extraordinary made her an exuberant fixture of Paris fashion and café
society, her intelligence and steely sense of self drove her toward bigger
things, culminating in espionage during WWII, for which she was imprisoned by
the Nazis in Ravensbruck. After the horrors of the camp, she found solace in
Erica Brausen, the German art dealer who launched the career of Francis Bacon,
and the two women lived out their lives together surrounded by cultural
luminaries like Edmonde Charles-Roux and Luchino Visconti. But even in her
later decades, Toto remained impossible for anyone to possess. The Many Lives
of Miss K explores the allure of a freethinking and courageous woman who,
fiercely protective of her independence, was sought after by so many but
ultimately known by very few.
Meet the Author: Jean-Noël Liaut is a
French writer and translator. His books include biographies of Givenchy and
Karen Blixen and translations of works by Colin Clark, Nancy Mitford, Deborah
Devonshire, and Agatha Christie.
My
thoughts:
I’m always excited when I discover a new Scandalous Woman that I can
share with my readers. So when I saw
this book featured on Edelweiss, I knew I had to read it. It just sounded too intriguing to pass
up. Unfortunately the book doesn’t
necessarily live up to the hype of the back cover which is a shame because Toto
Koopman is one fascinating woman, more than worthy of being featured here on
the blog.
Toto was born
Catharina Koopman in October of 1908.
Her father was a military officer and her mother was part Dutch, part Javanese. Despite the rather dim view the Dutch took of
interracial marriages and the children born of these unions, Toto’s childhood
seems to have been rather uneventful and happy. Despite her parents’ disapproval, she left her
fancy finishing school and headed off to Paris and adventure becoming a fashion
model who worked for Chanel among other fashion houses. She also appeared regularly in French Vogue,
which was highly unusual at the time.
Fashion magazines weren’t exactly inclusive back then, so to have a
Eurasian model not just on the cover but in the magazine must have been highly
scandalous. When she wasn’t working,
Toto seems to have spent her time hobnobbing with everyone there was to no in
Paris. She moves to London to appear in
a movie produced by Alexander Korda, but all her scenes are cut out. No matter, Toto meets Tallulah Bankhead and
they have a brief affair. She then meets
Lord Beaverbrook and not only has an affair with him but also his son (as well
as Randolph Churchill).
The author makes much
of the fact that Toto’s sexuality was extremely fluid. I have no idea where she would sit on the
Kinsey scale. She also seemed to have
suffered no jealously or guilt over her actions. For Toto, life does seem to have been a ‘Cabaret,
old chum.’ The book catalogs all of her
early life and her madcap adventures in Paris and London in about 77 pages. There’s no in-depth look at how a woman who
took money from her lover’s father not to marry him, then turned around and
became a spy for the British during World War II working with the Italian
resistance. Toto was arrested in Italy,
escaped, was arrested again, and then send to Ravensbruck. How did she make that change, risking her life
and why? What were her ideals? Was this just another adventure for her? The author can’t really explain it. Toto did have the skills for a spy, she spoke
at least 5 languages and she was incredibly enigmatic. Also the details of this
period of her life seem hidden behind a wall of gauze.
After the war, Toto
meets Erica Brausen who becomes her life partner. Brausen runs an art gallery, and is
responsible for discovering Francis Bacon.
Toto helps Erica run the gallery but she also for a certain point turns
her hand to archeology. All of this is
very exciting but again the author is unable to animate Toto from the
page. She remains as unknowable at the
end of the book as she does at the beginning.
Life at this point seems to be filled with art openings, traveling,
affairs (many on Toto’s part), and building their dream house on an island of
the coast of Sicily which they turn into a sort of artists’ colony. The saddest part of the book is the end of
Toto’s life, when Brausen seems to have gone a little off the rails.
The book is
incredibly slight (244 pages) for a woman who led such a fascinating life. Part of the problem is that Toto left no
letters or journals, nor did she ever write her autobiography which would have
given a biographer material to work with.
Liaut has to piece together her life from the recollections of the few
people who knew her that are still alive during his research, and from brief
mentions in the biographies of more well-known personalities of the
period. It is a shame that the book is
not able to go deeper.
Verdict: An
exuberant but slight account of a truely remarkable woman.
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