Elizabeth Kerri Mahon

Two of my favorite things are history and food, when I can combine them both, I’m in heaven. I dream of doing an American version of the BBC TV-show Supersizers Go. Imagine getting to time-travel through almost four hundred years of American cuisine. I enjoy reading about restaurants such as Delmonico’s and the lobster palaces like Rector’s that used to litter Times Square around the turn of the century. When I travel, I actively search out places, where it’s a café, a pub, or a restaurant that has a sense of history. In New Orleans, I once ate at Antoine’s (which is pretty much a tourist trap now) just because my boyfriend wanted to sit in the same room where they filmed a scene from JFK. So when I learned that the Morris-Jumel mansion had planned an event involving Solomon Northup’s wife, Anne, I quickly signed up. With “12 Years A Slave” nominated for the Academy Award for Best Picture, it seemed appropriate to have an event that celebrated the woman that he unwillingly left be

You guys, this show is twisting itself in knots to try and figure out ways to keep Mary and Francis from getting married.  As you probably recall, Nostradamus predicted that marriage to Mary will be the death of Francis. And Henry, for some reason, decided that it's vitally important that Mary stake her claim to the throne of England. Diane de Poitier's plot to have Bash legitimized was discovered, so she convinced Bash to leave the court. I can't even begin to recap these episodes.  Both of them hit new heights of ridiculousness.  "In For King and Country," Mary decides that there is only one way for her to keep Francis safe.  She tells King Henry that she will stake her claim to the English throne but there is a catch.  Henry has disinherit Francis and legitimize Bash, who she'll marry him instead. Henry hesitates for only a minute before agreeing.  Seriously? This plot is so ridiculous, I can only imagine the writers were smoking something when they